Seven figures in gas masks and white protective suits stand against a black sky. A strip of bright blue runs above them, the last memory of the sky before the poison came.

This is a mural by Ana Leonor Madeira Rodrigues, a Portuguese artist who lived in West Berlin from nineteen eighty-nine to nineteen ninety-two. She painted it on the Berlin Wall in nineteen ninety.

The figures she painted are the liquidators, the people who decontaminated the Chernobyl nuclear power plant after the reactor exploded in April nineteen eighty-six.

Some of them carry weapons. Rodrigues saw them not only as cleanup workers but as soldiers in a permanent war against radiation, a vision of a future where the sun never returns.

When the Wall fell in late nineteen eighty-nine, Berlin's east side was still standing. Artists from twenty-one countries were invited to paint it in the spring of nineteen ninety.

The organizers asked them to address ecological destruction and pollution. Rodrigues responded with the worst environmental catastrophe she knew: Chernobyl.

One hundred eighteen artists painted one hundred six murals along one point three kilometers of Mühlenstraße. The project became known as the East Side Gallery.

Rodrigues painted her vision in white, blue, and black. The black background wasn't just night. It was the world with no sun, permanent twilight under radioactive clouds.

Two years later, in nineteen ninety-two, the painting was destroyed. Weather, vandalism, or both—no record says. For seventeen years it was gone.

In two thousand nine, the city of Berlin invited the original artists back to restore their works. Rodrigues returned and repainted the mural exactly as she remembered it.

She signed it with both dates: nineteen ninety and two thousand nine. The signature reads J. Zaleng, though her actual name is Ana Leonor Madeira Rodrigues. The reason remains unclear.

She later said she restored the painting for one reason alone: she loved Berlin. It was a personal declaration to the city, a gift.

The liquidators she depicted were real. Hundreds of thousands of Soviet workers, soldiers, and conscripts were sent into the contaminated zone to bury the reactor under concrete and metal.

Many of them died within weeks. Others carried radiation sickness for the rest of their lives. Rodrigues painted them as ghosts because that is what most of them became.

In November nineteen ninety-one, Berlin added the East Side Gallery to its monument register. The murals were now protected as part of the city's memory.

The mural stands today on Mühlenstraße. The bright blue strip still runs above the figures. It is the last piece of sky before the darkness, a horizon that never came back.

Seven figures in gas masks and white protective suits stand against a black sky. A strip of bright blue runs above them, the last memory of the sky before the poison came.

This is a mural by Ana Leonor Madeira Rodrigues, a Portuguese artist who lived in West Berlin from nineteen eighty-nine to nineteen ninety-two. She painted it on the Berlin Wall in nineteen ninety.

The figures she painted are the liquidators, the people who decontaminated the Chernobyl nuclear power plant after the reactor exploded in April nineteen eighty-six.

Some of them carry weapons. Rodrigues saw them not only as cleanup workers but as soldiers in a permanent war against radiation, a vision of a future where the sun never returns.

When the Wall fell in late nineteen eighty-nine, Berlin's east side was still standing. Artists from twenty-one countries were invited to paint it in the spring of nineteen ninety.

The organizers asked them to address ecological destruction and pollution. Rodrigues responded with the worst environmental catastrophe she knew: Chernobyl.

One hundred eighteen artists painted one hundred six murals along one point three kilometers of Mühlenstraße. The project became known as the East Side Gallery.

Rodrigues painted her vision in white, blue, and black. The black background wasn't just night. It was the world with no sun, permanent twilight under radioactive clouds.

Two years later, in nineteen ninety-two, the painting was destroyed. Weather, vandalism, or both—no record says. For seventeen years it was gone.

In two thousand nine, the city of Berlin invited the original artists back to restore their works. Rodrigues returned and repainted the mural exactly as she remembered it.

She signed it with both dates: nineteen ninety and two thousand nine. The signature reads J. Zaleng, though her actual name is Ana Leonor Madeira Rodrigues. The reason remains unclear.

She later said she restored the painting for one reason alone: she loved Berlin. It was a personal declaration to the city, a gift.

The liquidators she depicted were real. Hundreds of thousands of Soviet workers, soldiers, and conscripts were sent into the contaminated zone to bury the reactor under concrete and metal.

Many of them died within weeks. Others carried radiation sickness for the rest of their lives. Rodrigues painted them as ghosts because that is what most of them became.

In November nineteen ninety-one, Berlin added the East Side Gallery to its monument register. The murals were now protected as part of the city's memory.

The mural stands today on Mühlenstraße. The bright blue strip still runs above the figures. It is the last piece of sky before the darkness, a horizon that never came back.

AnaL.M.Rodrigues - Untitled

Seven figures in white protective suits and gas masks stand against a black sky. A thin blue strip runs above them. This is a mural on the Berlin Wall, painted in nineteen ninety by Ana Leonor Madeira Rodrigues, a Portuguese artist living in West Berlin. The figures are the liquidators, the workers who decontaminated Chernobyl after the reactor exploded in April nineteen eighty-six. When the Wall fell in late nineteen eighty-nine, one hundred eighteen artists from twenty-one countries were invited to paint it in spring nineteen ninety. The black background was not just night. It was a world with no sun, permanent twilight under radioactive clouds. In two thousand nine, Berlin invited the original artists back to restore their works. Rodrigues repainted the mural exactly as she remembered it. Listen to the full guide. I'll walk you along the East Side Gallery and show you what stands on this wall.

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